23rd January
latest news: Anna's sweet and sticky pork buns

Arts Sections

Music
Performing Arts
Film
Art and Literature
Arts Features and Multimedia
TV
Games
Original Work

Latest articles from this section

Lucien Freud

The Year in Culture

Tuesday, 17th January 2012

Anne Mellar’s bumper edition of the year in culture

Indiana Jones

Archaeological Fiction: Discovering the truth or digging to nowhere?

Sunday, 1st January 2012

James Metcalf on the fictionality of the latest archaeological page-turners

godot

Have you read...Waiting for Godot?

Monday, 19th December 2011

Stephen Puddicombe looks at the unusual appeal of Samuel Beckett's Waiting for Godot

margaret atwood

In Other Worlds: Atwood and the ‘SF Word’

Sunday, 18th December 2011

Ciaran Rafferty investigates the science of book classification

More articles from this section

candles
Sculpture 1
A Christmas Carol
Book sculpture
Immortal  Engines
Narnia
Oscar Wilde
Carol Ann Duffy
Hirst - skull

Student-written opera to premiere in York

antigone
Monday, 12th May 2008
Tuesday 27th and Wednesday 28th May will see the premiere of a new and innovative interpretation of Sophocles’ Antigone that sets the Theban tragedy to music for Voices Gamelan Strings and Electronics.

The opera will use Seamus Heaney’s translation of the Greek text, originally produced by Heaney as a commission for the Abbey Theatre in Ireland in 2003 inspired by Bush’s ‘Axis of Evil’ speech. But it has been considerably distilled (probably to save you from what would be 3 hours of music and a very sore bum!) by composer of the opera, Jon Hughs, who will have the voices singing, speaking and chanting to draw the most out of his refined text.

Hughs is a third year music student, and this production will be his final ‘solo project’ - an initiative undergone by every music student that graduates from York, which is the starting point for countless original and diverse projects every year including on-going successes like York Carnival and the Spring Festival of New Music.

He was inspired to create this opera by working with director Mary Larew and Veridas Opera last year on a production of a medieval mystery play called Herod and the Slaughter of the innocents, which used plainchant and medieval instruments as a form of music drama.

Picking up on this ritualistic thread, Hughs’ Antigone includes chanting, speaking, gamelan sounds, atmospheric electronics and movement inspired by Tai Chi to create what Hughs describes as "ritualised drama". The electronics will help fuel the atmosphere along with gamelan improvisation, and while it may seem like a potential mish-mash of influences, having experienced Hughs' compositions drawing together an eclectic mixture of materials deftly I have confidence he’ll pull it off with style.

Those hoping for more traditional Greek fare, won’t be short changed either, as the actors will be masked and are currently training with a specialist in masked performance. The production stars William (Bill) Brooks as Tiresius, an internationally renowned composer, academic and lecturer at the University of York. The remaining roles of soloists, chorus members, instrumentalists and technicians are filled by students from the university.

Tuesday 27th and Wednesday 28th May, 7.30pm National Centre for Early Music, Walmgate. Tickets: £10, £8 (concessions), £3 (students) from the NCEM box office (01804 658 338), boxoffice@ncem.co.uk, or online (http://www.ncem.co.uk/booking.shtml).

Check out The Yorker's Twitter account for all the latest news Go to The Yorker's Fan Page on Facebook
#1 Kirsty Denison
Mon, 12th May 2008 4:52pm

I'm really excited about seeing this. Great preview Anna.

Add Comment

You must log in to submit a comment.