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War Horse

War Horse

Tuesday, 17th January 2012

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We Have a Pope

We Have a Pope

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James Absolon explains how this Pope-themed film, despite its risky premise, works

The Artist

The Artist

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Stephen Puddicombe on why The Artist is such a special film.

The Iron Lady

The Iron Lady

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The Blagger's guide to Film Noir

Noir
Wednesday, 23rd November 2011
Film Noir is the term used to categorise a certain kind of crime drama that was popular in Hollywood throughout the 1940s and 1950s. Renowned for it urban settings, cynical tone and gloomy atmosphere, as well as its embracing of black-and-white visuals, Film Noirs feature psychologically rounded characters who, despite their best efforts, inevitably find themselves caught up in the criminal underworld and unfulfillable lust.

Morally Ambiguous Hero

Usually at the centre of a Noir is a morally dubious protagonist who struggles to survive the seedy criminal underworld, overcome his personal demons and, of course, resist the charms of a femme fatale. Usually this protagonist is a private eye, cop, gangster or a simple low-life, who despite possessing a cynical outlook on the world still falls victim

Recommendations: Humphrey Bogart in The Maltese Falcon and The Big Sleep, Burt Lancaster in Criss Cross

Femme Fatale

The above-mentioned male protagonist invariably falls prey to the charms of a chain smoking femme fatale. Always presented at first as alluring, mysterious and altogether irresistible, the femme fatale plays to strengths to seduce the man and manipulate him to her own personal ends.

Recommendations: Rita Hayworth in The Lady From Shanghai, Gene Tierney in Laura, Barbara Stanwyck in Double Indemnity, Ava Gardner in The Killers

Stylish Cinematography

Rather than see black-and-white cinema as a limitation, Film Noirs use the contrast of dark and light to create inventive visuals and memorable images. The use of long shadows, low-key lighting and Venetian blinds are all prominent, creating a shadowy world of alienation and deceit.

Recommendations: Chase scenes in The Third Man, Touch of Evil, the mirror maze in The Lady From Shanghai

Urban Setting

Film Noirs are typically set in an Urban environment, presenting at as both dangerous and bleak. Common town used include New York, San Francisco and Los Angeles, the streets of which are neon-lit an danger lies potentially behind every corner. These cities are usually frequented by seedy bars, where the protagonist can usually be found drowning his sorrows with shot after shot of whiskey.

Recommendations: New York in Sweet Smell of Success, Los Angeles in The Blue Dahlia and Sunset Boulevard

Neo-Noir

Though the golden age of the Film Noir has long since passed, it remains a popular choice of genre among film-makers. Directors such as Martin Scorsese, David Lynch, Quentin Tarantino and the Coen brothers have all borrowed from and paid homage to the Noir aesthetic, through there portrayal of crime, city life world-weary tone.

Recommendations: Chinatown, Taxi Driver, Blade Runner, Memento

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