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War Horse

War Horse

Tuesday, 17th January 2012

Stephen Puddicombe looks at Steven Spielberg's latest effort

We Have a Pope

We Have a Pope

Sunday, 15th January 2012

James Absolon explains how this Pope-themed film, despite its risky premise, works

The Artist

The Artist

Saturday, 14th January 2012

Stephen Puddicombe on why The Artist is such a special film.

The Iron Lady

The Iron Lady

Friday, 13th January 2012

Alex Pollard reviews Hollywood's biopic of the controversial Margaret Thatcher

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Hugo

Mon, 19th Dec 11
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New Year's Eve

Sun, 18th Dec 11

The British Guide to Showing Off

British Guide to Showing Off
Photo: Dave Punktilio
Saturday, 10th December 2011
It’s said that a good documentary should be able to take a subject you have absolutely no knowledge of or a particular interest in and make it engaging and intriguing to an audience. This certainly needed to be case here as I admittedly went in having never heard of its subject matter, the artist Andrew Logan, or his Alternative Miss World competition. It turns out that it's a larger than life event where contestants under names such as 'Miss Conception' or 'Miss Fancy Chance' and turn up dressed in weird and wonderful outfits designed to be as extravagant and sometimes shocking as possible, a point exemplified by the fact it was once won by a robot, all in the name of art and good fun.

There is definitely a rich and certainly colourful story with intriguing characters to examine, as it follows Andrew Logan as he organises the last alternate Miss World back in 2009 whilst also looking over his colourful life and the competition's history. All of which is genuinely interesting, involving a vast array of famous faces such as the late Great British Derek Jarman (who once won the competition) and been frequented by Andy Warhol, David Bowie and many others. All of which is put across with great care and attention by the filmmakers, who are clearly in love with their subject matter, an enthusiasm that that is incredibly contagious making it hard not to get carried away with its pure joy and rather odd sense of fun, which carries the film. For although comments on the political or cultural significance of the man and his work are definitely there, this is first and foremost a celebration of its subject which it becomes hard not to be at least temporarily fascinated and enthralled by.

The film itself is also extremely colourful simply in the way it’s constructed, as the various figures from Andrew Logan’s life appear in cardboard cut-out form with animation segments helping cut between scenes, or we are bombarded with bright images from the past of art projects or flipbooks of photos. All of which can be a little irritating at times, but for the most part works incredibly well, serving to help the audience enter what is a very strange world indeed. The whole thing moves along almost seamlessly so that everything remains joyful and bright whilst maintaining a surprising fast pace for a documentary feature, and crucially it does not feel like a long list of talking heads (although come to think of it there are actually an awful lot). Indeed it has to be said that director Jes Benstock has managed to do remarkably well in weaving this all together whilst maintaining a coherent framework.

What we have therefore is 98 minutes of joyous, exuberant celebration that can take even cynical souls like myself with no interest in such things and infuse them with at its madcap celebration. It might not be a deep film or without flaws, but as documentaries go it is enormous fun.

http://www.picturehouses.co.uk/cinema/York_Picturehouse/

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