Daniel Gibbons reviews a thrilling modern production of William Shakespeare's political, supernatural and psychological classic, Julius Caesar.
Daniel Gibbons reviews the production of one of the masterpieces of the twentieth century, Nobel-prize winner Harold Pinter's 'The Homecoming'.
Madness in the Drama Barn
Mark Smith reviews 101 Ways to Pretend You're Not Forty, the student written drama about failed dreams, dwindling happiness and the desire to rekindle lost youth.
Alicia Walters reviews the production of the Pulitzer Prize-winning comedy 'Harvey', a story about one man and his invisible 6 foot white rabbit companion.
Alicia Walters reviews the much-loved Shakespearean comedy 'Twelfth Night', a heady mix of mistaken identities, confusion, love, infatuation and revenge.
Jonathan Kerridge-Phipps reviews 'Lucky Sods', a satirical and outrageous comedy from the acclaimed Hull Truck theatre company.
Daniel Gibbons reviews 'On the Shore of the Wide World', an engaging and touching family drama.
Alicia Walters reviews the acclaimed and provocative, Future Me, the play that delves into some murky territory.
Daniel Gibbons reviews 'Where There's A Will', the classic French farce directed by one of Britain's most distinguished director of plays, Peter Hall.
