23rd January
latest news: Anna's sweet and sticky pork buns

Arts Sections

Music
Performing Arts
Film
Art and Literature
Arts Features and Multimedia
TV
Games
Original Work

Latest articles from this section

El Camino

The Black Keys - El Camino

Sunday, 11th December 2011

James Arden checks out the garage rockers latest album.

The Black Keys

The Week in Music

Tuesday, 6th December 2011

Your guide to the musical happenings of week 9

Phatfish

Phatfish Review - The Duchess, 2/12

Monday, 5th December 2011

The Christian rock band from Brighton bring religion to the masses.

Kelly Rowland

Kelly Rowland - Here I Am

Sunday, 4th December 2011

Recipe for modern R'n'B album: liberal helpings of guest rappers and an overdose of sexual euphemisms.

More articles from this section

The Drums
Ringo Deathstarr
PJ Harvey
Cassette tapes

Singles Club

Wed, 30th Nov 11
jb underthemistletoe
Here and Now
James Blake
Future of the Left
The Blanks

Ron Sexsmith - Long Player Late Bloomer

Ron Sexsmith - Long Player Late Bloomer
Monday, 7th March 2011
With the likes Michael Bublé and Rod Stewart covering him, and other outspoken fans including Elvis Costello, Steve Earle and even his excellency Sir Paul McCartney, it’s a tad puzzling why the name Ron Sexsmith almost never fails to attract blank expressions, from myself included until a few days ago.

With eleven previous albums to boot, it is painfully clear in the new documentary ‘Love Shines’ (available on BBC i-player until Friday) that Sexsmith is frustrated and disenchanted by their steadfast refusal to achieve commercial success. It seems though, that with the wishfully entitled Long Player Late Bloomer, he has pulled out all the stops and made his biggest push yet to deliver an album to catapult him into the stardom that everyone in the industry bar himself seems to think he deserves.

It may come as a surprise that the man behind the desk for Late Bloomer was none other than Bob Rock, one of rock production’s gospel writers; lending his hand in the past to monoliths including Metallica’s Black Album and Bon Jovi’s Slippery When Wet, and more recently artists including Lostprophets and The Offspring. A mellow, introverted and decidedly uncharismatic singer-songwriter might not quite fit his track record, but evidence suggests that the Canadian crooner is far from beyond the realm of Rock’s talent.

Polished banks of piano, slide guitar and twangy Fender tones certainly give record number twelve a fuller and more commercial sound than many of its predecessors, comparable to a number of modern country-pop productions. But it is what comes out of Sexsmith’s windpipe, more at home in the decade of his birth than 2011, which gives Late Bloomer its distinctive sound. It’s probably also that that will make or break it for you. If Cliff Richard pushes your buttons, then this album is likely to be a ray of sunshine not to be sniffed at. If the Botoxed living doll himself isn’t quite your mistletoe or wine, then Sexsmith might not want to be your first port of call next time you’re in a record shop.

Having said that, I would imagine it pretty hard to form a hatred of Late Bloomer, with its thirteen slices of mid-tempo, harmless melodies, and sometimes inspirational, sometimes tortured lyrics (if nothing else, the very Al Murray cover photo should bring a smile to your face). It might not be the most exciting LP to have come out this year to date, but rest assured it will have a considerably longer shelf-life than some.

Check out The Yorker's Twitter account for all the latest news Go to The Yorker's Fan Page on Facebook

Add Comment

You must log in to submit a comment.