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A dramatic and unique opening, which I won’t describe in case I ruin the surprise for any potential audience members, certainly paved the way for an exciting and invigorating performance.
Showing the dramatic side of Bach, it was a surprisingly refreshing step away from the norm, combining both Bach’s emotional intensity whilst still retaining an authentic atmosphere.
The amateur dramatics, which potentially could be a tacky way of portraying Bach’s St John’s Passion, actually enhanced the meaning. From the very beginning, the performance established a tension needed for the Passion, which it sustained throughout.
Each section of this magnificent piece was successfully and vibrantly combined. From the instrumental soloists, notably the oboists and the violinists, and the instrumental chamber ensemble, whose detailed playing also created some lovingly shaped phrases, to the chorus and choral octet, not forgetting the wonderfully expressive vocal soloists, this performance would more than satisfy any baroque music lover.
As with any of Bach’s choral works, the piece is interspersed with some beautiful arias, and the soloists certainly executed some stunning performances. Amongst them, Edward McMullan’s 'Es ist vollbracht' was simply a beautiful example of technically impeccable counter-tenor singing, with a stunningly clear tone. The show would have been worth seeing for this performance alone.
It was a privilege to witness not only the performers’ musicality, but their enthusiasm for the music. Talking afterwards with Fraser Moyle, a first-year music student and member of the choral octet, I got a sense not only of the enjoyment of the musicmaking and working together as an ensemble, but also of the sheer hard work of putting together such a technically demanding piece:
‘I really enjoyed it but it’s a hard thing to do. The third years direct and conduct it as well as being the soloists; second years are involved by choice and all first years have to be involved, but this gives you a chance to get to know everyone in your year. It was a joy to work with everyone.’
To sing and act the Passion is no easy task, considering that this is a two and a half hour piece, all sung in German from memory, so all the more credit to the performers for carrying it off with a rare combination of flare and precision.
Nick Ashby, a third-year soloist who plays Jesus, spoke of the piece’s emotional power: ‘I thought it was an amazing piece. It’s beautifully crafted music on its own but I don’t think the dramatics detracted anything from that; it’s also very well written for singers.’
It certainly gave all the singers a chance to show off exceptional musicality, with drama, vigour and a close attention to Baroque style of performance.
This was truly a joy to watch. A performance that would please both the traditionalist and the more adventurous, memorable not only for the quality of the singing but for the sheer energy and vitality of the performances.
The St John Passion will be running tonight (Thursday) and Friday 21st November. Tickets £8/£3, students/non-students.
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