23rd January
latest news: Anna's sweet and sticky pork buns

Arts Sections

Music
Performing Arts
Film
Art and Literature
Arts Features and Multimedia
TV
Games
Original Work

Latest articles from this section

Lucien Freud

The Year in Culture

Tuesday, 17th January 2012

Anne Mellar’s bumper edition of the year in culture

Indiana Jones

Archaeological Fiction: Discovering the truth or digging to nowhere?

Sunday, 1st January 2012

James Metcalf on the fictionality of the latest archaeological page-turners

godot

Have you read...Waiting for Godot?

Monday, 19th December 2011

Stephen Puddicombe looks at the unusual appeal of Samuel Beckett's Waiting for Godot

margaret atwood

In Other Worlds: Atwood and the ‘SF Word’

Sunday, 18th December 2011

Ciaran Rafferty investigates the science of book classification

More articles from this section

candles
Sculpture 1
A Christmas Carol
Book sculpture
Immortal  Engines
Narnia
Oscar Wilde
Carol Ann Duffy
Hirst - skull

Great Reads: The Secret History

Book Review
Sunday, 10th June 2007
The Secret History by Donna Tartt is a haunting, mesmerizing novel of doomed youth that is at once a study of human intelligence, the consequences of arrogance and a representation of the darkness of the human soul.

At times carefully understated, at others disarmingly brutal, The Secret History's unerringly beautiful and yet objective prose portrays, in first person narrative, the story of a group of classics students at an elite American college who are brilliant, obsessive and, finally, murderous. Portrayed through the eyes of one of these students, the dissolute and complicated character of Richard Papen, an intricate tale of manipulation, deception and dramatically tested friendships is revealed that is a world away from the normal, everyday reality of campus life. A contemporary Greek tragedy of fate dictating the course of innocent intentions that result in drastic and devastating consequences, it is the ultimate novel of dangerous minds and of the lengths to which a person will go when pushed too far.

Quote the coldly calculating plan to murder one of their own is presented as both entirely rational and completely necessary. Quote

A subtle but constant level of tension is maintained throughout the novel. This is due not to uncertainty (the central event – premeditated murder – is described in the prologue) but the complex, profoundly psychological weave of relationships between the central characters. Essentially character-driven, the six main figures, sharing “a certain coolness, a cruel, mannered charm which (is) not modern in the least, but (has) a strange cold breath of the ancient world,” are where the true complexity and the creeping, chilling disquiet of the work is invested.

Despite this, or perhaps because of it, the characters are uniquely captivating and Tartt expertly manipulates the sympathies of the reader into relating to their situation: the coldly calculating plan to murder one of their own is presented as both entirely rational and completely necessary.

Ultimately, this novel is a captivating, almost hypnotic work that is gorgeously written, compellingly cerebral and at times profoundly disturbing, a perfectly controlled tour de force of the darker side of human nature that will keep you glued to its pages until the very end.

Check out The Yorker's Twitter account for all the latest news Go to The Yorker's Fan Page on Facebook