23rd January
latest news: Anna's sweet and sticky pork buns

Arts Sections

Music
Performing Arts
Film
Art and Literature
Arts Features and Multimedia
TV
Games
Original Work

Latest articles from this section

Lucien Freud

The Year in Culture

Tuesday, 17th January 2012

Anne Mellar’s bumper edition of the year in culture

Indiana Jones

Archaeological Fiction: Discovering the truth or digging to nowhere?

Sunday, 1st January 2012

James Metcalf on the fictionality of the latest archaeological page-turners

godot

Have you read...Waiting for Godot?

Monday, 19th December 2011

Stephen Puddicombe looks at the unusual appeal of Samuel Beckett's Waiting for Godot

margaret atwood

In Other Worlds: Atwood and the ‘SF Word’

Sunday, 18th December 2011

Ciaran Rafferty investigates the science of book classification

More articles from this section

candles
Sculpture 1
A Christmas Carol
Book sculpture
Immortal  Engines
Narnia
Oscar Wilde
Carol Ann Duffy
Hirst - skull

Birth of cool: 20th Century antiheroes

Bukowski
Friday, 30th October 2009
Although some form of counterculture has existed in every human society the 20th century's presents itself as the most shocking for various reasons: The fall of Victorian values at the start of the century, the two world wars that ravaged populations, and the rise of The Beatles. The antihero that was explored throughout the 20th century has since become a standard within both film and music with writers such as William Burroughs and Sam Beckett garnering almost mythical reputations within their lifetimes.

At the turn of the century Oscar Wilde had already provided a most shocking character in Dorian Gray and trials against he and DH Lawrence for lifestyle and literature only incensed future generations of writers to open all the boxes. Thus-

1. Anthony Patch, The Beautiful and Damned

Although most critics would agree that The Great Gatsby was F Scott Fitzgerald’s masterpiece its brevity verges on short story boundaries. The Beautiful and Damned has a much grander scope focusing on Anthony Patch’s life from losing his parents as a young child, attending Princeton and living in Italy to falling for society girl Gloria Gilbert and succumbing to jealousy, greed and alcoholism. The story is both a tale of lost youth and of the virtues of persistence with all the great themes of The Great Gatsby but with less of its inconsistencies, Anthony Patch manages to be both tragic and compelling.

2. Meursault, The Outsider

Albert Camus’ Meursault is incapable of showing any emotion. The emotionless opening line ‘Mother died today. Or was it yesterday?’ sets the mood for a sombre weekend in which the protagonist kills an Arab in a beach confrontation, gets sent to court where remorse would have him switched from the death penalty to a life sentence but he remains emotionless up until the dying end. Meursault manages to be a precursor in many ways both to Hannibal Lecter and to the detached beats of Jack Kerouac and William Burroughs. A template for cool and for sinister.

3. Tom Joad, The Grapes of Wrath

Widely regarded as fiction’s most influential antihero. Tom Joad returns from prison on parole for a murder which he committed but doesn’t regret at all to find his family forced out of their farm and wanting to move south. Joined by the ex preacher who Tom had met on the way over they head for the west coast in search of prosperity, amid tales of poor folk making it on the west coast. The hard truth is discovered when they find thousands of people all like them competing to work for the lowest price. Tragedies ensue on all fronts with a worker’s uprising and a family falling apart being among the many issues that affect all the disappointed okies who’ve all lost the same Promised Land.

Check out The Yorker's Twitter account for all the latest news Go to The Yorker's Fan Page on Facebook

Add Comment

You must log in to submit a comment.