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Latest articles from this section

warhorse

The Week in Performing Arts - 18/1/12

Thursday, 19th January 2012

Catherine Bennett resumes the weekly look at the performing arts world, with the sad end of Jerusalem, the luck of a cabbie, and French revolt. Do you hear the people sing?

nigel

Nigel Kennedy

Monday, 16th January 2012

Adam Alcock reviews Nigel Kennedy playing Vivaldi's Four Seasons and his own Four Elements at York Opera House.

bird puppet

The Week in Performing Arts - 21/12/11

Wednesday, 21st December 2011

Catherine Bennett highlights the trends in the performing arts world today.

ghosts

Ghosts

Wednesday, 21st December 2011

Jonathan Cridford reviews 'Ghosts', one of the Freshers' plays for this year.

More articles from this section

woz
christmas presents
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butley

Butley

Sat, 10th Dec 11
woz
six lips

Hands Off

Sun, 4th Dec 11
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cabaret

Cabaret

Fri, 2nd Dec 11
annie

Annie

Fri, 2nd Dec 11

Comedy Soc's 'Got Booty' - 10/11/10

got booty
Thursday, 11th November 2010
Wow, how does one begin to describe the frenetic whirlwind of randomness that is Comedy Soc’s panel show, Got Booty? For the uninitiated, the concept soon becomes clear: improvisational games loosely interwoven with a narrative that directs the teams to the mysterious “Booty”. Along the way they find themselves in various grave perils and dangers – this week appeasing ancient gods and venturing into the pyramids of Giza. Put it this way: when the host, Henri Ward, sporadically announces a game of ‘Whose chickpeas are these?’ to a roar of laugher from the audience, it’s not in any way out of the ordinary.

The theme of this week’s show was ‘archaeology’ (with just a dash of Indiana Jones) which led team captains Dan Wood and Tom Crowley around an imaginative, ancient world along with their respective teammates, Katherine Timms and Ian Angell. On their journey, tasks ranged from insulting each other using objects suggested by the audience (green toasters, fishhooks and Google were used with varying degrees of success) to re-enacting scenes from films in a foreign language during the in-flight movies; the team captains were pretty convincing as French actors, but a Chinese interpretation of Inception was, well, slightly dubious, to the hilarity of the audience.

Crucially, as with all improv-based games, audience participation was a key element here. Instigating a real-life version of ‘Guess Who’ the teams had to identify the member of the audience with a clue to the Booty’s whereabouts. This deviated slightly from the original game, with team members asking more insightful and subjective questions such as "Does the person have elaborate facial hair?" and "Does the person look like they would enjoy a good slice of Stilton?" (it was a “no” to both of these). During the show, not all of the quips may have hit the mark, as is expected of improvisation, but Joke of the Evening came during an 'Invent A Plague' round – essentially a pun free-for-all (Plaque Plague, Plaguarism, yep, it was all there) – which was deservedly won with Katherine Timms’ catchy suggestion of ‘Plague David’.

In truth, the technology didn’t always behave itself (at one point, the house lights didn’t come up, eliciting the host’s command "Just close your eyes and pretend!") and the music didn’t always arrive on cue, but in a way this lent itself to the barminess and spontaneity of the show. The evening was finished off with a round that already seemed to be a firm favourite with the audience – Ballad of Wikipedia - where both teams composed a song based off a designated Wikipedia article. Following some minutes of both teams’ enthusiastic singing and/or mumbling, accompanied by (improvised) electric bass, Dan Wood’s team were the overall winners with a heartfelt ditty about incandescent light bulbs. A great end to a slightly eccentric, if not thoroughly entertaining, evening.

What happens next to the Got Booty teams? Toddle along to ‘Got Booty and Beyond’ in Week 7 to find out!

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