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After an extensive stage reset, Stravinsky’s Symphony of Psalms followed. A more forceful work than the previous, it inspired the choir to reach its full strength, easily matching the dramatic orchestral performance. What really shone through, however, were the ensembles’ dedication to the subtleties and nuances of the music, truly bringing the work to life. The hardest aspect of any Stravinsky performance is bringing out melodic shapes from the individually angular parts, but here the performers handled it with conscientious flair.
Finally, Fauré’s Requiem concluded the concert. Usually performed in churches and cathedrals, the concert hall acoustic might have dampened the sound, but the ensemble managed to maintain the magic and beauty of this spectacular piece. Whilst the solos were again approached skilfully, the highlight was the sense of ensemble, as though the orchestra and choir were one musical intellect.
All in all, the chamber groups’ collaboration was a great success. Choosing renowned pieces of such high calibre is risky, especially for the groups’ first performance of the year. Nonetheless, they brought the characters of all three to life very well; their biggest challenge remains to get even better through the year. These performers are certainly worth keeping an eye out for in the next two terms – watch this space!
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