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The Irrepressibles - Mirror Mirror

The Irrepressibles
Friday, 29th January 2010
We are more than used to pop music trying to blend in crumbs of classical, whether it is Muse's Rachmaninov-inspired passages or, say, Girls Aloud using a string section. The Irrepressibles' debut album, ''Mirror Mirror'', however, seems to be the work of a classical mind influenced by popular music.

Frontman Jamie McDermot, composer, musician and singer, does not rely on simply using orchestral instruments to produce more art than songs. We can hear complex harmonies and rhythms while, making popular music sense, the lyrics soar from out of the texture with McDermot's haunting voice, reminiscent of Antony Hegarty. The album has a uniquely refreshing feel to it, due in part to the lack of the traditional drum kit, a pop music staple. The lyrics of 'Splish Splash Sploo' even seem to parody the pop genre with its reference to lyrics from Elvis Presley's 'I Can't Help Falling in Love With You'.

Occasionally described as "chamber pop", The Irrepressibles is a ten-piece orchestra with all members doubling up as a choir. They do not, however, abuse the vast palate of sounds available to them. Some songs, such as 'The Tide', are quiet and painful as the singer asks ‘When will I let go?’. Many of the songs, including the opening piece, 'My Friend Jo', feel very Kate Bush-esque and the album, as a whole, has a sense of being very Bowie-inspired.

The Irrepressibles have also released a DVD of a live shows 'From the Circus to the Sea'. This shows the depth of McDermot's brilliance as each performance is a beautifully designed concert with elaborate costumes, narrative and dancers. In 2009, they performed at the Victoria and Albert Museum, a place of art and design; there could not be a more fitting venue. This is not just music - this is art. But, amazingly, McDermot manages to keep it fun. Although much of this album is heart-breaking and painful, it is done so with a sense of humour. There are points where the lyrics are speaking of disappointment and insecurity but the music is rude enough to be jokey and happy.

Although the live performances own a lot of The Irrepressibles' magic, the album can stand up on its own. It contains all manner of genius and feeling. You can find yourself laughing and crying within the space of two songs. It has taken art to a new level.

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